Tennis in Two Hours
by John Carpenter
(Encino, CA)
Hi Tomas,
I am a student of tennis for over 30 years. I have read countless tennis theories and my progress as student hit a ceiling with little breakthroughs here and there while I was a tennis coach certified in the USA.
In my experience, two books out of the over 200 I have studied had a universal application to all tennis players: Gallwey's 1974 "Inner Game of Tennis" and Oscar Wegner's 1989 "Tennis in 2 Hours" (later republished in 1992 as "You can Play Tennis in 2 Hours.")
Gallwey figured out tennis was played by something other than the conscious mind, but he only got it partially right; in Spain in 1973, the year before Gallwey's book came out, the new modern tennis system implemented by junior Davis Cup captain Oscar Wegner would soon shock the tennis world.
Wegner defined not only how a tennis player best played by feel and instinct rather than the concious mind, Oscar also built a close to perfect (as has ever been developed) teaching technique that simplified the tennis strokes to their bare essential mechanics, allowing each person to then find their own level of athleticism.
At the age of 44 having played tennis for thirty plus years, I was at best a 4.0 player or 4.5 on my best days. At the age of 48 I can hit with the best in the world (as long as I can get to the ball, lol).
I play with 6.5 players who enjoy my consistency and ability to spin the ball effectively. The difference was Oscar Wegner's Modern Tennis Methodology and his simplified techniques that bring out a person's natural athleticism.
I subscribe to and read your newsletter and recommend it to my students as a good source because you teach "modern" tennis pretty well.
I don't know if you are familiar with Oscar Wegner. I've coached tennis for 24 years and felt like I wasted the first twenty years teaching the old methods. Now I get results that very few coaches, many of them famous, can ever achieve with the general public, not just with good athletes.
Anyone can teach a good athlete, but I now have average athletes with no footspeed beat much better athletes because Oscar's MTM teaches them to develop their own instincts and their own swings (think of Monica Seles, who had no notable foot speed ever despite all efforts to improve it and any normal tennis coach would not have allowed her to hit with both hands off both sides with that horrible foot speed).
Those types of stories are repeated by learning tennis through Oscar Wegner's techniques, which I then add teaching from coaches like you and Ron Waithe of Turbo Tennis (who learned much from Oscar personally like I did). I know Russian coaches admit to me they use Oscar's system as I do as the core of what they teach.
Revolutionaries will never get credit while they are alive, I'm afraid, although tennisone.com did a nice tribute to Oscar last year noting "History proved him right."
So if you want to play your best tennis fast, just go back to the basics and do a tuneup by checking your strokes against Oscar Wegner's theories and ensure you have no "myths" that are keeping your game back.
Tennis is filled with far too many myths, far too many conflicting theories, and far too many teachers who are reaching for a technical expertise that is not applicable to the majority of tennis players who must take their own realities and play tennis naturally.
I watch players take lessons for years and be stuck at a 3.0 or 3.5 or 4.0. A dentist recently went from 4.0 to 5.0 in less than six months by applying Modern Tennis Methodology.
I know this won't likely be published, Tomas, given it's an endorsement of another coach, but you asked and I wanted to give your students the best knowledge out there.
You are a good teacher yourself from what I see, and I admire your efforts to help others get better. However, the mark of a good teaching method is that it's reproducible by others.
I get great results just as Oscar claims when I teach MTM and allow the person to find their own swing. There is no better way to simplify and check your strokes than by looking at your game in terms of Oscar's three simple fundamentals: FIND the ball, FEEL it on your strings, and FINISH the stroke.